







It is not too risky to venture that the aesthetics of the body in art denounces the social state of a time and anticipates the advent of new socio-political resolutions; the most fears deep, the desires to explore, the dogmas that dominate, the new theologies to be erected. Bodies repressed, chained, disciplined, silenced, hidden, condemned; open, liberated, anarchist, strident, discovered, acquitted bodies. The limit between the obscene and the sublime, the ribald and the arrogant, the lascivious and the exquisite, the pornographic and the erotic, the impudent and the sensual, is so evanescent in art, that it depends on the narrative encounter of the demons and divinities that inhabit the experiences of the artist and spectator, in their witnessing of the body.